![]() ![]() Many similar scat phrases - Esther Lee “Baby Esther” Jones (Black child performer, sang in a baby voice in late 1920s and early 30s cited as evidence in the above lawsuit that Helen Kane did not originate the “boop oop a doop” catchphrase. ![]() “ boop oop a doop” - Helen Kane (I Wanna Be Loved By You, in musical Good Boy, 1928 sued Fleisher over using “her” catchphrase for the Betty Boop character).“ boop oop a doop” - Max Fleischer (Betty Boop, cartoon character spoofing Helen Kane, 30s).“ boop oop a doop” - Marilyn Monroe (I Wanna Be Loved By You, in movie Some Like It Hot, 1959).“ goo goo ga-joob” - The Beatles (I Am the Walrus, 1967).“ coo coo ca-choo” - lyricist Paul Simon (“Mrs Robinson,” film The Graduate 1967, expanded version in an album 1968).“ my coo ca choo” - Alvin Stardust (1974) I take a look at the history and evolution of Betty Boop, the sexy, sultry and seductive animated goddess and icon of the Golden Age of animation debuting at the Fleischer Studio in 1930, she.“ coo coo ca-choo” - surfer turtle (Finding Nemo, 2003) Marilyn Monroe and Betty Boop were echoing her act, which also influenced the Beatles and Finding Nemo. So instead, here are some links I put together on the whitewashing of “boop oop a doop,” inspired by an article on .Įsther Lee “Baby Esther” Jones was a Black child performer in the 1920s and 30s, who sang and scatted in a baby voice. I would have sworn I posted something about “doo de do de doo,” but if I did, I can’t find it. (The person who used it regularly was an opera singer.) I remember looking into “doo de do de doo” and concluding that it was probably a reference to the ad-libbed tinkly piano music that would be performed during a set change. Not “attention!” like the CSI “dun-dun” gavel sound, or impatience, like the “writing down your Final Jeopardy response” theme song. It was so bright that maybe I should render it “doot te-doot te-doot.” While the similar “dum de-dum de-dum” means “I’m just sitting here minding my own business,” the brighter, more cheerful “doo de-doo de-do” was a cross between a satisfied sigh and a scat, and seemed to convey motion, or anticipation. It sounded best on the gramophone, you can still hear the distortion on the louder parts, well. A few years ago I was working regularly with a director who filled any conversation pause with a descending musical vocalization “doo de-doo de-doo.” Tried this record on two gramophones, and an electric player. ![]()
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